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Ribera del Duero breaks score barrier

Published:  17 November, 2021

The fifth annual Ribera del Duero Top 100 Selection has confirmed the awesome potential of the region, with every wine featured scoring a remarkable 94 points or more for the first time ever.

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Tim Atkin MW: A year that changed wine

Published:  13 October, 2020

‘Never A Dull Moment’ is the title of a wonderful book about what its author, David Hepworth, calls “rock’s golden year”. 1971 was indeed an annus mirabilis for music, witnessing the release of landmark albums by David Bowie, Led Zeppelin, the Rolling Stones, Elton John, Pink Floyd, Marvin Gaye, Carole King, Joni Mitchell, Yes, The Who and Rod Stewart. For Hepworth, 31 December 1970 marked the end of the Sixties – 12 months late, in one sense – and the start of something very different. It was a turning pint, a line in the sand.

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The week that was

Published:  10 May, 2019

In case you missed some of the headlines this week on harpers.co.uk, here’s a review of the top online news, analysis, opinion and features.

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Tim Atkin MW: The dangers of karaoke journalism

Published:  02 May, 2019

The two emails arrived on the same morning. The first was from Mark A, offering me an “exclusive invite” to join Biginfluencers.com and “connect with some of the biggest brands”; the second was a release about the launch of a Standardised Wine Rating System called iS Winescale. In their different ways, they both cut to the core of what it means to be a wine writer today. Are we still relevant? And if so, how and to whom?

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Tim Atkin MW: Wine is never a one man band

Published:  10 January, 2019

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Tim Atkin MW: State of the Union Jack

Published:  09 March, 2018

What does the Union Jack symbolise to you? Pride? Shame? Sovereignty? Populism? Peace? Colonialism? All are possible responses and have been almost since the flag was designed in 1800 to reflect the Act of Union between Great Britain and Ireland. As Tim Marshall writes in his recent book, Worth Dying For: The Power and Politics of Flags, “its beauty or otherwise is in the eye, imagination and politics of the beholder”.

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